D a i s y H a r c o u r t


The main focus of each portrait series I create is exploring the connections people have with the world around them. I develop these portraits by engaging with participants and listening to their reflections on formative experiences related to each theme. I particularly enjoy this process—the search for common threads and resonances between the sitters often shapes the portraits themselves.
The themes so far - Women & Water, People & Plants, Women & Word and coming in 2026 People & Place.
‘It really is a lovely and enchanting collection, the portraits capture the essence of people and their connections to the natural world and the environment in such a profound, sensitive and beguiling way that is so wonderful to see and the autobiographical texts are the perfect accompaniment.
This whole series is a wonderful achievement.’
Stephen Ellcock 2022
I write this introduction from a room of my own in Oxford, a city of words but one that hasn't always been as open to women writers as it is today. The history of women and words is lengthy, vast, and still evolving, and to be able to wield a pen as a woman (and a named, rather than anonymous, woman!) is a unique kind of power, privilege– and magic.

In People and Place, I explore how place can reflect psychological states. When sitters describe a favourite place, they reveal values, character, and something of their essence. These works combine personal experience, archival material, and audio interviews as sources.


This series of small oil paintings on copper depicts women painters spanning five centuries.

In this series I invited 14 contemporary women to write about their formative experiences of the written and spoken word. Each participant revealed their favourite words and discussed the writers and books that had influenced them. It was while considering what each sitter had written that I created each portrait.

“This exhibition is a room of our own and we are delighted to welcome you,” writes Laura. In Daisy’s portraits, almost every woman looks directly at us – something remarkable in its rarity in our most prestigious art galleries – as if to defy and befriend the viewer simultaneously. Only one, Jo, looks away, considering a smooth stone in her hands, and the way in which this links to her very visceral description of the material, physical effect of words, as if powerful enough to leap into and alter landscapes, is rather special. Jo is an artist, her medium is stone.


In 2022 I created illustrated portraits of artist Eileen Mayo (book 8) potter Lucie Rie (book 9) and artist Tirzah Garwood (book 10) for Eiderdown Books . Eiderdown Books is an independent publisher making books about Modern Women Artists written by leading female writers, art historians and cultural commentators.

Female writers and literary characters feature in this portrait series. Link to an interview with me during the exhibition of this work at Weald Contemporary in October 2023 below.

In this portrait series I invited writers, poets, a stone carver, zine maker, journalists, poets, a teacher, a lecturer and a curator to write about their connections to word. I drew a portrait of each sitter whilst considering their writing; the portraits and written pieces were exhibited and produced in a book.

This portrait series was on show at Oxmarket Contemporary in April 2022.
Each very generous sitter shared their relationship to plants, from formative experiences to their current involvement and passion for plants in a written piece which was displayed beside each portrait.

This series of portraits focuses on 13 wonderful women: artists, wild swimmer, mudlarks, art historian, publisher, writers, actress, teacher, mothers, craftivist, ceramicist. Each sitter has contributed a written piece about their particular experience of water to accompany their portrait.
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Is the house in Sea II inspired by an actual building or place?
I have very happy childhood memories of family holidays on the Devon and Cornwall coast; although not an actual building or place, the scene perhaps represents those places.
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